© White Rose Musical LLC2025
I incorporated all of who I am and have been into White Rose: The Musical.I taught history; White Rose is based upon a true story!I coached teenagers for 25 years; White Rose is a group of young people finding their way in an unfair world and finding ways to come together as a team and fight against adversity.I have loved theatre all of my life; I knew in my heart that White Rose was a story that belonged on stage.I love my family and would do anything to keep them safe and make the world a better place for them; this very principle is at the heart of White Rose: The Musical. Of all the things that I have been, a theatre producer is not one of them! I have had to learn the industry from the inside out (I only knew it from the house or backstage, not on the stage!).I found mentors and peers who have helped me “find my way” (hopefully someday you will get this reference!) and take this dream from page to stage.White Rose: The Musical is my dream, my vision, my passion.
Will Nunziata is a NYC-based award-winning director, writer, and producer of film, television, theatre, and concerts.
Film: The Old Guitarist (Writer, Director) starring Dominic Chianese (Uncle Junior in The Sopranos).
Awards: London Movie Awards (Best Short Film, Best Director), New York Movie Awards (Best First Time Director of a Short), Paris Film Awards (Best First Time Director of a Short), among others.
Film: Lillith (Winner of Best Original Screenplay, 2023 Hollywood Blood Horror Festival and Winner of Best Horror Screenplay, 2024 New York Screenplay Competition).
Other films in development: Débora (Writer, Director) – based on the life of Colombian painter Débora Arango; We Had Love (Writer, Director) – a father-son drama; Rhapsody – an original musical drama; We All Fall Down (Writer, Director) – a psychological thriller. Television in development: Forty-licious (Creator, Writer).
Theatre: Figaro: An Original Musical (Director, Co-Book Writer, Co-Creator – The London Palladium 2025), White Rose: The Musical (Director – Off-Broadway 2024, Marylebone Theatre UK 2025), Faygele: A New Play (Director – King’s Head Theatre UK 2025).
Theatre/Opera in development: Van Gogh: An Original Musical (Co-Creator, Director), An Entirely Ordinary Town: A New Musical (Director), By The End Of Tonight: A New Play (Director), Little Black Book: A New Musical (Co-Creator), The Waves: A New Opera (Librettist), Miss Peggy Lee (Director, Writer, Co-Creator) starring Tony Award winner Cady Huffman; Award: Broadway World Best Director.
Concerts: Will has written and directed shows for Tony Award winner Lillias White, Soul Train Award winner Nicole Henry, and Grammy Award nominee Clint Holmes, to name a few.
Through his production company 23 Productions, Will is a lead producer on the West End (Figaro: An Original Musical), off-West End (White Rose: The Musical) and is on the producing teams of three World Premiere albums (Little Black Book: A New Musical on Broadway Records, White Rose: The Musical on Yellow Sound Label, and Figaro: An Original Musical on Center Stage Records).
For twenty years Will performed professionally, singing across the country and around the world with his twin brother, singer-songwriter Anthony Nunziata, culminating in co-headlining Carnegie Hall with the NY Pops Symphony Orchestra. Will is a proud graduate of Boston College.
Caitlin Morgan trained at Mountview Academy of Theatre Arts (MA Musical Direction, with Distinction) and the University of Edinburgh (BMus Music with Performance, First Class Honours).
Recent credits include: Figaro (The London Palladium) – MD,Little Shop of Horrors (Sheffield Crucible) – AMD, Burlesque (World Premiere) – AMD, SIX (UK & International Tour) – MD, REHAB (London) – MD and Kathy and Stella Solve a Murder (UK Tour) – AMD.
Other playing credits include: Cover Keys on The Little Big Things (Soho Place); Close Up: The Twiggy Musical (Menier Chocolate Factory) and Jersey Boys (UK Tour).
Caitlin also works as a Music Assistant & Copyist, with previous productions including Aspects Of Love (West End), Opening Night (West End) and The Witches Of Eastwick in Concert(West End) alongside various workshops.
She is a resident pianist at The Savoy Hotel and The Dorchester Hotel.
Livs is a musical director, keyboard and trumpet player, composer, and arranger. In 2024, she completed her MA in musical direction with distinction at Mountview Academy of Theatre Arts where she was Keyboard 1/Conductor for Big Fish (The Mack, Mountview). Assistant musical director credits here also include Oklahoma! (studio project) and The Wonderful Wizard of Oz (The Backstage Theatre, Mountview).
Credits as Assistant Musical Director include: Fantastically Great Women Who Changed the World (The Other Palace), Fly More Than You Fall (Southwark Playhouse)
Credits as Musical Director: Cinderella (Derby Arena), On The Town (Workshop)
Credits as Rehearsal Pianist: Grease Das Hit Musical (European Tour)
Since graduating, Livs has also covered Keys 4 on Wicked (UK tour) and played Keys for Debbie Wileman’s “I’m Still Here” concert (Ambassador’s Theatre), with music orchestrated and conducted by Jersey Boys’ Steve Orich.
Natalie Brice is a fierce songwriter, pianist and teaching artist with the tenacity to bring original works to life, amplifying stories that inspire, uplift, and create a call to action. Natalie is the composer of the critically acclaimed off-broadway production White Rose: The Musical. Her past work includes music directing two full-length original musicals, Asher Child and Hell on Earth, playing as a piano accompanist in the Los Angeles musical theatre improv scene, creating short musical theatre films, and teaching many incredible upcoming artists. She studied at San Francisco State University and the University of East Anglia, where she gained a sense of the subversive community musical theatre has to offer, which she greatly admires.
Justin is a design graduate of Mountview Academy of Theatre Arts whose work has been nominated and shortlisted as a finalist for numerous Broadway World® and OFFIES® design awards including Best Immersive Venue for ‘Wonderville’ in Piccadilly Circus and the ETTIES® Best Immersive Production for ‘Stranger Sings’ at Waterloo Vaults.
Justin has trained with Punchdrunk at Fallow Cross and is an Educator with ATG. His design work spans multiple West End, Fringe and UK touring venues as well as international contracts including MSC Cruises.
Designer | West End
Wild About You – In Concert (Theatre Royal, Drury Lane);
Your Lie In April – The Musical (Harold Pinter, West End);
Your Lie In April – In Concert (Theatre Royal, Drury Lane);
Death Note – In Concert (Lyric Theatre, West End);
Death Note – In Concert (The Palladium, West End);
La Bamba – A Musical (CURVE theatre, Peacock West End & UK tour);
Wonderville / Thurston’s Bar (Haymarket Cabaret Venue, West End);
Dick Whittington (Phoenix Theatre, West End);
Death Drop (Criterion Theatre, West End & UK Tour);
Death Drop (Garrick Theatre, West End);
*Wonderville – Magic & Illusion (Palace Theatre, West End)
Designer | Site Specific
Wonderville – Home of Magic (MSC Cruises);
Wonderville – Future of Magic (MSC Cruises);
Forever (MSC Cruises);
Mumbai Nights (The Louvre, Dubai);
King Arthur / The Wizard of Oz (The Scoop, Southbank, London);
All Or Nothing (Waterloo Vaults Installation);
Wonderville / Thurston’s Bar (Haymarket Cabaret Venue, West End)
Designer | Fringe & UK Tour
Coppelia (UK Tour ’24);
Stranger Sings – The Parody Musical (UK Tour ’23-24);
KIN – The Musical (Theatro Technics, London Kings Cross);
Trompe L’Oeil (The Other Palace);
The Giant Killers (UK Tour ’24);
When Darkness Falls (Park Theatre & UK Tour ’23);
When Darkness Falls (UK Tour ’22);
When Darkness Falls (Park Theatre & UK Tour ’21);
Who’s Holiday (HOME Manchester & Southwark Playhouse);
La Bamba – A Musical (CURVE theatre, Peacock West End & UK Tour ’23);
Death Drop (Criterion Theatre, West End & UK Tour ’22-23);
No Limits (Turbine Theatre);
Who’s Holiday (HOME Manchester & Southwark Playhouse);
*Stranger Sings – The Parody Musical (UK Premiere – Waterloo Vaults);
Tasting Notes (Southwark Playhouse);
Murder for Two (Barn Theatre);
Coppelia (Cockpit Theatre);
Who Cares (Waterloo Vaults);
Ben Hur (Barn Theatre);
Soho Cinders (Charing Cross Theatre);
*Whistle Down the Wind (Union Theatre);
*Brooklyn the Musical (European Premiere; Greenwich Theatre);
Gentlemen Prefer Blondes (Union Theatre);
Seussical – The Musical (Southwark Playhouse);
Section 2 (Bunker Theatre);
Fiver The Musical (Southwark Playhouse);
One Giant Leap (Brockley Jack Studios);
Can-Can (Union Theatre);
Daisy Pulls it Off (Shoreditch Town Hall);
Half Me, Half You (Tristan Bates);
Heartbreak House (Union Theatre);
Can-Can (Union Theatre);
*Othello (Union Theatre);
*Metropolis (Ye Olde Rose and Crown);
Carmen (Union Theatre);
Locked Up (Tristan Bates);
The Cherry Orchard (Union Theatre);
35MM Musical (The Other Palace);
Parade (London Theatre Workshop);
Imagine This (Union Theatre);
The Hired Man (Union Theatre);
Twang! The Musical (Union Theatre);
Every Wild Beast (Edinburgh Fringe Festival);
From Dust (Edinburgh Fringe Festival);
*Through the Mill (Southwark Playhouse);
Kicked in the Sh*tter (Hope Theatre);
Tribe (London Theatre Workshop);
*Confessional (Southwark Playhouse);
Glockenspiel (Tristan Bates Theatre);
It’s Only Life (Aria Entertainment);
*Freddy, Ted and the Death of Joe Orton (London Theatre Workshop);
Apartment 40C (The Other Palace)
Su Young Shon is a South Korean theatre director with extensive experience in the musical theatre industry. Currently pursuing an MFA in Theatre Directing at East 15 Acting School, Su Young’s forte and passion lie in musical theatre and innovative storytelling.
Her Associate Director credits span both South Korea and the UK. In South Korea, she has worked on original productions such as Maybe Happy Ending, Inside William, and Return: The Promise of the Day, as well as licensed productions like Natasha, Pierre & the Great Comet of 1812, A Gentleman’s Guide to Love and Murder, and a replica production of Anna Karenina. In the UK, she has worked on The Gift at Park Theatre and assisted on productions during her studies, including Wound and Ding Dong.
Su Young’s directing credits include tick, tick… BOOM!, Murder Ballad, Aida, and the original work Fly, Mrs. Park!. Su Young is honored to contribute to White Rose, bringing her creative insights to this powerful and meaningful story.
Alex designs lighting for theatre, musicals and opera across the UK and Internationally.
Alex has been nominated for two Off West End Awards for Best Lighting Design for The White Factory at the Marylebone Theatre and You are Here at the Southwark Playhouse. Alex was also the Association of Lighting Production and Design Lumière 2019.
Upcoming work:
It’s a MotherF**king Pleasure (Washington DC and Boston)
Recent design work includes:
Home (Chichester Festival Theatre), Figaro: An Original Musical (London Palladium), A Christmas Carol (The Lowry, Manchester) The Forsyte Saga – Parts 1& 2 (Park Theatre, Finsbury Park) Stones in His Pockets (Barn theatre, Cirencester. Salisbury Playhouse and Bolton Octagon), The White Factory, The Last Word (Marylebone Theatre, London) Unbound – a New Musical, A Concert (Hoxton Hall, London), Kin – The Musical (Teatro Technis, London), Before After, Anyone Can Whistle and Romeo and Juliet (Southwark Playhouse, London), It’s a MotherF**king Pleasure (SoHo Playhouse – New York City, Southbank Centre & Soho Theatre – London, National and European Tours), Sherlock and the Whitechapel Fiend, Treasure Island and Private Lives (Barn Theatre, Cirencester), Chitty Chitty Bang Bang (Kings Theatre, Portsmouth), The Cunning Little Vixen (Royal Birmingham Conservatoire), Rapunzel and The Sleeping Sword (The Watermill Theatre).
Paul is a Musical Supervisor, Composer, Orchestrator and Arranger. He works with numerous artists as Musical Director (including Ruthie Henshall, Kerry Ellis, Clarke Peters) and on various productions in London and across the UK. He most recently acted as Musical Supervisor on Hair – In Concert at the London Palladium (Directed by Arlene Phillips) and Oti Mabuse – I Am Here (UK tour/London Coliseum).He is a managing director of Three Pin Productions Ltd, which was established with Ruthie Henshall in 2012. The company has produced both national and international tours (including Australia Tour 2019 starting at Sydney Opera House), recorded studio albums,produced original book musicals for Cunard and, amongst other projects, provide theatrical/musical consultancy for the broader entertainment industry. Paul recently co-produced a new UK version of Stephen Sondheim’s Passion, which premiered at Hope Mill Theatre, Manchester, in May 2022.
2025 Winner WhatsOnStage Award – Best Casting Direction – Why Am I So Single?
Current credits include Dirty Dancing (Capital Theatre) ; Kinky Boots (Curve Theatre/UK Tour); Evita (London Palladium – Children); Glorious! (Hope Mill Theatre)
Theatre includes Why Am I So Single? (Garrick Theatre. WhatsOnStage Award for Best Casting Direction); Your Lie in April (Harold Pinter Theatre); Burlesque (Manchester Opera House/Glasgow Theatre Royal); Babies (The Other Palace/Lyric Theatre); Scissorhandz (Southwark Playhouse); Fanny (Watermill Theatre); Unbelievable (Criterion Theatre); The SpongeBob Musical (Southbank Centre/UK Tour); Derren Brown’s Showman (Apollo Theatre); My Beautiful Laundrette (Curve Theatre/UK Tour); Death Note (London Palladium/Lyric Theatre); Dirty Dancing (Dominion Theatre/UK Tour); Treason (London Palladium/Alexandra Palace/UK Tour); Choir Of Man (USA Tour); Starcrossed (Wilton’s Music Hall); Blippi: The Wonderful World Tour (Harold Pinter Theatre); Disruption, On The Ropes (Park Theatre); Cinderella (Theatre Royal Stratford East); The Girl On The Train, Once, Private Lives, Million Dollar Quartet (Barn Theatre); Aladdin (Lyric Hammersmith); American Idiot (Arts Theatre/UK Tour); Footloose (Peacock Theatre/UK Tour); Dark Sublime, Silk Road (Trafalgar Studios); Our House (UK Tour); One Man, Two Guvnors (Derby Theatre/Queens Theatre Hornchurch); Glory Ride, Soho Cinders, Mythic, The Knowledge (Charing Cross Theatre); concert productions of Wild About You, Chess, Treason (Theatre Royal Drury Lane).
TV includes Prince Andrew: The Musical (ensemble casting); Derren Brown’s Showman.
Film includes Tomorrow Morning, A Family Affair, Beast/Type/Song, The Hermit.
Tessa is a marketing and media professional with over 15 years’ experience working within the arts and cultural sector. A visual arts obsessive, she has worked both client and agency side for the UK’s leading arts organisations and brands including the Tate, Barbican, Royal Collection Trust, Royal Academy of Arts and the Royal Horticultural Society.
Make a Noise is an innovative and agile full-service marketing agency specialising in the arts, cultural and heritage sectors. Members of the company have a collective 50 years’ experience working both with and within some of the leading cultural organisations across the UK including Southbank Centre, Tate, Royal Collection Trust, Sadler’s Wells, Wise Children, Barbican Centre, Royal Academy of Arts, Art Fund and Opera North as well as leading productions including Jean Paul Gautier Fashion Freakshow, The Mongol Khan, The Art Of Banksy, Dirty Dancing, Rose, Song From far Away and the Estonian National Ballet among many more.
The Osmonds: A New Musical (UK Tour), Heathers (Theatre Royal Haymarket, UK Tour, and The Other Palace), Love Letters (Theatre Royal Haymarket), Berlin Berlin (German Tour), Saturday Night Fever (UK Tour), Cilla The Musical (UK Tour), Ghost (UK Tour, International Tour, Paris Mogador and Moscow MDM) Rain Man (UK Tour), Rough Crossing (UK Tour), Cabaret (UK Tour), La Cage aux Folles (UK Tour), Evita (Dominion, Phoenix, UK and International Tour), Hi Fidelity The Musical (Turbine Theatre), Eugenius (The Other Palace), This is Elvis (UK Tour), How the Other Half Loves (Theatre Royal Haymarket, Duke of York’s and UK Tour), Save The Last Dance For Me (UK Tour), Dreamboats and Petticoats (UK Tour), The Cat and Canary (UK Tour), The Lady Vanishes (UK Tour), The Case of The Frightened Lady (UK Tour), The Outsider (3 Pin Productions Ltd, Cunard), Echoes in The Night (3 Pin Productions Ltd, P&O), A Judgement in Stone (UK Tour), Sideshow (Southwark Playhouse), The War of the Worlds (Dominion), Rehearsal For Murder (UK Tour), Sinatra On Stage (The London Palladium), The Glenn Miller Story (London Coliseum and UK Tour), The Sound of Music (UK Tour), Jesus Christ Superstar (UK Tour), 12 Angry Men (UK Tour), Blood Brothers (UK Tour), Joseph and the Amazing Technicolor Dreamcoat (Newcastle Arena and UK Tour), Dreamboats and Miniskirts (UK Tour), Ain’t Misbehavin’ (Colchester Mercury and Southwark Playhouse), Carrie (Southwark Playhouse), The Buddy Holly Story (Theatre Royal Windsor), Brief Encounter (Theatre Royal, Windsor), Mystery On Air (Theatre Royal, Windsor), Fame (UK Tour), The Shawshank Redemption (UK Tour), All Creatures Great and Small (UK Tour), The Small Hand (UK Tour), and Before The Party (UK Tour).
Thomas Hopkins Productions (THP) was founded in 2019 by award winning Theatre , Film, television & Radio producer Thomas Hopkins. THP has produced many live theatrical productions & multiple productions created and filmed specifically for platforms such as Sky, BBC, Amazon Prime, BroadwayHD, Broadway On Demand and educational platform Digital Theatre Plus.
Most recent productions include the critically acclaimed production of Simon Stephens A Song From Far Away Staring Will Young at HOME in Manchester and Hampstead Theatre in London and BBC Radio Four and Martin Sherman’s ROSE starring Dame Maureen Lipman in London’s West End at The Ambassadors Theatre for a sell out season.
PRODUCTIONS INCLUDE:
Stalled (The Kings Head Theatre), Sharon Osbourne -”Cut The Crap’’ (Fortune Theatre & The Alexandra Theatre) European Tour in 2025 ; Song from Far Away (Home & Hampstead Theatre); Rose (Ambassadors Theatre / Hope Mill Theatre / Park Theatre / Sky Arts / BroadwayHD -OnComm award-winning); Passion (Hope Mill, Manchester); The Night Larry Kramer Kissed Me (New Wimbledon OnComm award- winning); Godspell (BroadwayHD); Falling Stars (Stream.theatre / Digital Theatre); We Need A Little Christmas (Stream.theatre); Scaramouche Jones (Stream.theatre/BroadwayHD); Closer Than Ever (BroadwayHD); Anthology (Actors’Church, Covent Garden); Make Me a Song (New Players’); Mathilde (Edinburgh/Vaudeville); Kurt and Sid (Trafalgar Studios); Smokey Joe’s Café; Closer Than Ever; Tomorrow Morning; By Jeeves (all Landor Theatre); My Trip Down the Pink Carpet(Apollo); Country Music and T5 (both Omnibus Theatre, Clapham); The Funny Girls(NewWimbledon/Gatehouse Upstairs) and as associate producer Private Peaceful (Garrick Theatre/Bristol Old Vic/The Barn Theatre).
GENERAL MANAGER & EXECUTIVE PRODUCER WORK INCLUDES:
White Rose ( The Marylebone Theatre) If I Had You A New Musical (The Actors Church), Winghaven Park – A New Musical (The Actors Church) Frank Wildhorns -“Your Lie In April” (The Harold Pinter Theatre) Lady Chatterley’s Lover: A New Musical
(ShaftesburyStream.Theatre/BroadwayHD); Too Close to the Sun (Comedy); A Tale of Two Cities (filmed at The Theatre Royal Brighton for PBS America) and HMS Pinafore (filmed for BroadwayHD).
THP is passionate about the creation of new theatrical experiences and productions and is currently developing a new version of Boy George’s autobiography musical Taboo opening in 2026. THP is also developing a West End production of Harrison David Rivers Play This Bitter Earth to be directed by Grammy Award, Emmy and 2x Tony winning actor, singer, director, composer, and playwright Billy Porter opening in 2025.
Thomas Hopkins is a proud member of both The League of independent Producers ,The Society Of London Theatre and is a voting member of the Olivier Awards. THP is a proud supporter of the charity Just Add Milk whose mission is to make the industry more accessible for everybody.
THP
Founder: Thomas Hopkins
General Manager : Giles Rowland
Operations Manager: Dana Here’s Diddens
Jr. Production Assistant: William Fieldhouse
Accounts: Clare Pope
Legal: So Legal